Bollywood Special :

The most repeated and typical Hindi film dialogues

* The eternal reason for being the victim of anything that can happen to you in hindi films 
" Mai gareeb hoon na , isliye ...."

* A main character in the movie will go to the temple and say : 
"Bhagwan mainey tumse aaj tak kuch nahin maanga....."

* Old hindi movie :
"Aiye ji sunte ho.. Aap bade woh hein."

* Lover-girl to leaving lover-boy :
"Mai tumhare bina nahin jee sakti "

* "Kanoon ke haath bahut lambe hote hein"

* "Rukjao! kanoon ko apne haath mein mat lo"

* Judge announcing his decision in filmi court :
"Gawaaoon key bayaanat aur saboot ko madde nazar rakhtey Taz-e-raat-e-hind, dafaa 302 ke tahet , muzrim ko sazaaye maut di jaati hai"

* "Muzrim ko ba-izzat bari kiya jaata hai"

* "Main is Geeta per haath rakhkar yeh saugandh leta hoon ki jo bhi kahoonga sach kahoonga, aur sach ke siva kuch nahin kahoonga."

* "Inspector! Giraftaar karlo issey"

* "Raam Raam kaaka"

* "Jug Jug jiyo beta "

* "Kya issi din ke liye tujhe paal pos ke bada kiya tha?"

* Typical farmer ka dialogue :
"mainey is zameen ko apne khoon sey seencha hai"

* Hero/heroine after opening their eyes in the hospital :
"Main kahan hoon?" 

* "Mai kahti hoon, Door ho jaa meri nazron sey"

* "Is ghar ke darwaaze, tumhare liye hamesha ke liye band hein"

* A Prem-Chopra-type villian to the heroine/village belle :
"In gori gori kalaiyon ko kaam karne ki kya zaroorat hai"

* "Maine tumhe kya samjha, Aur tum kya nikley!"

* Doctor : " Ab Sab oopar waale key haath mein hai"

* Doctor : "Chowbees ghante tak hosh nahin aiya to ..... "

* "Agar Maa ka doodh piya hai to saamne aa."

* "Jyaada hoshiayari karne ki koshish maat karna "

* Amitabh in many movies :
" Nahin chhodunga tujhe. Jaan sey maar daaloonga."

* "Bhagwaan pe bharosa rakho. Sab thik ho jaiye ga"

* "Woh ek gandi naali ka keeda hai"

* "Woh kutte ki maut marega "

* Rich father to son :
" Ek phooti kaudi nahin doonga "

* "Zamaane ne thokar laga-laga ke is dil ko paththar bana diya"

* Dharmendra in many movies :
" Kutte! Kamine ! ....."

* Dharmendra :
"Chun Chun ke maaroonga, ek-ek ko chun chun ke maroonga"

* Lalita Pawar in many scenes :
" Chudeil! Kide pade tere ....."

* The favoirite emotional blackmail :
"Tune yeh kiya to tu mere mara muh dekhegi "

* All filmi chowkidaars :
" Shhalaam Shhaab!"

* Inspector Iftekar on a megaphone : 
" Apne aap ko police ke hawaale kar do. Police ne chaaron taraf sey tumhe gher liya hai. Apne hathiyaar phenk do "

* "Bhaagne ki koshish mat karna"

* "pulice ko tum jaise naujawaanon per naaz hai"

* The classic : " Thairo! Yeh shaadi nahin ho sakti !"

* The villian's sidekick : "Boss! Maal pakda gaya "

* "Bol! Bol heere kahan chuppa rakhe hai "

* "Ab tumhari maa hamare kabze mein hai"
"Agar tum paanch llaakh leker, silver beech ke puraney killey pe nahin aiye, to mai usse bum se udaa doongaa"

* "Yeh sauda tumhe bahut mehnga padega"

* "Jo sheeshe ke gharon mein rehte hein, woh doosron pe paththar nahin phenkte"

* "Hum woh hein jo paththar ko kaanch se tod-liya karte hein"

* - The stereotypical announcer : "Bhaiyon aur behnon ...." "Ladies and Gentelmen ..."
- Mehmood, the announcer : "Ladies and Ledas ...."

* "Mai tumahara aihsaan zindagi bhar nahin bhoolonga"

* "Itnay paise tum kahan sey laiye ?"

* "Police mere peeche lagi hui hai .."

* "Tum mere liye mar chuke ho"

* "Ghar mein do-do jawaan betiyaan hein"

* "Lo! - Muh meetha karo"

* "Aarre! isse to tez bukhaar hai"

* "Aaj Pinky ka janam din hai"

* "Gurkha, isse dhakke maarke bahar nikaal do"

* Nirupa roy's favourite "Ek baar mujhe maa kehkar pukaro beta"

* "... mujhe tumhaare is behte hue khoon ki kasam ...."

* "Beti, tu to paraya dhan hai"

* "Zabaan ko lagaam do .."

* "Pesh hai duniya ke jaane-maane kalakaar, Miss Renu"

* "Hume tedi anguli se ghee nikaalna aata hai"

* "Kutte ki dum tedi-ki-tedi hi rehti hai"

* "Bhabhi, tumhare haath ki chai peene ko man kar raha hai"

* "Tune mere peeth pe chura bhoka hai"



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Specific dialogues :

Hapless victim: " Bhagwaan ke liye mujhe chhod do!"
Shakti Kapoor : " Aaare bhagwaan ke liye chhod doon to mai kya karoon? prasaad khaoon?"

Utpal Dutt to his daughter in GolMaal : "Tumhari shaadi usse nahin hogi jisse tum pyaar karti ho, balki usse hogi jisse mai pyaar karta hoon."

"SHOLAY" involving GABBAR SINGH (AMZAD KHAN) and his CHAMCHAS.
GABBAR - Kitne aadami the ?
SAMBHA - Do, Sarkar..
GABBAR - Woh do the aur tum char, Phir bhi tum log wapas aa gaye... Haramzado, Gabbar ka naam mitti main mila diya... Iskee sazaa milegi, jaroor milegee...
GABBAR - Tera kya hoga, re Sambha ?
SAMBHA - Maine to aapka namak khaaya hai, Sarkar..
GABBAR - To aab goli bhi kha le...

Dharmendra is up on top of the water tower threatening to commit suicide and is very drunk. Down below there are many villagers watching the drama unfold, and this classic situation involves two of these fine gentlemen - G1, and G2.
Dh: Gaon vaalon, mein vahi karoonga jo Heer ne Ranjha ke liye kiya tha, Romeo ne Juliet ke liye kiya tha - sosait, sosait, sossaait (suicide).
G1: Arre bhai, yeh sossaait kya hota hai?
G2: Arre bhai, jub ungrez marte hain, to usey sossaait kehte hain!!!!


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Hope you enjoy this TOOTI PHOOTI Hindi / English!

This dialogue is from the movie Namak Halaal. The scene is the one in which Amitabh is introduced to Ranjeet by Ram Sethi for the first time in the movie.

Ranjeet: Yeh sab to theek hai, magar angrezi vangrezi aati hai ya nahi.

Amitabh: E lo kar lo baat. Are aisi angrezi ave hain ke I can leave angrez behind. I can talk english, I can walk english, I can laugh english, because english is a funny language. Bhairon becomes barren and barren becomes Bhairon because their minds are very narrow. In the year 1929 when India was playing Australia at the melbourne stadium Vijay Hazare and Vijay Merchant were at the crease. Vijay Merchant told Vijay Hazare. look Vijay Hazare, this is a very prestigious match and we must consider it very prestigiously. We must take this into consideration, the consideration that this is an important match and ultimately this consideration must end in a run.

Ranjeet: O.K., O.K.

Amitabh: In the year 1979 when Pakistan was playing against India at the Wankhade stadium Wasim Raja and Wasim Bari were at the crease and they took the same consideration. Wasim Raja told Wasim Bari, look Wasim Bari, we must consider this consideration and considering that this is an important match we must put this consideration into action and ultimately score a run. And both of them considered the consideration and ran and both of them got out.

Ranjeet: O shut up.



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Standard plot in Hindi films:

A poor man ekes out his living , providing for his wife and three sons. A happy family . Here comes the villian, frames (kills) the poor man and puts the sons in three different parts of the city.
Bees Saal baad-
The sons grow up , typically under different religions, meeet/fight each other. One of them romances the rich villian's daughter, the second helps his own father, the third helps his mother ,they all help the chawl, society or whereever they live, ...songs, dance,..and so on and so forth.
Then suddenly they realize thru a family song (Yaadon ki Bhaarat) or thru some family mark or letter (AAA) that they are one family. The villian also realizes this and starts his pranks.
And then they all go and do dishooom.@@**..bang.bang! Dishoom..##%^ the villian is defeated/killed, the police come(last but one scene), arrest the goondas.....
The poor man meets his wife, the sons meet their father/mother, the father/mother meet their honewali (ya ho gayee) bahu/bahuen..... and they all live happily ever after. 

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